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2025. Black Female as the “Transient Woman”: Anzalduan and Bhabhaian Construction of Subjectivity in Maya Angelou’s I Know Why the Caged Bird Sings. Kadın/Woman 2000, Journal for Women’s Studies. 26, 1 (Jun. 2025). DOI:https://doi.org/10.33831/jws.v26i1.529.