Black Female as the “Transient Woman”: Anzalduan and Bhabhaian Construction of Subjectivity in Maya Angelou’s I Know Why the Caged Bird Sings. Kadın/Woman 2000, Journal for Women’s Studies, [S. l.], v. 26, n. 1, 2025. DOI: 10.33831/jws.v26i1.529. Disponível em: https://ojs.emu.edu.tr/index.php/woman2000/article/view/529. Acesso em: 27 jul. 2025.