Black Female as the “Transient Woman”: Anzalduan and Bhabhaian Construction of Subjectivity in Maya Angelou’s I Know Why the Caged Bird Sings. JWS [Internet]. 2025 Jun. 28 [cited 2025 Jul. 27];26(1). Available from: https://ojs.emu.edu.tr/index.php/woman2000/article/view/529